Tuesday, April 26, 2016

The 5 Most Common UI Design Mistakes - Kapil Sharma

Although the title UI Designer suggests a sort of departure from the traditional graphic designer, UI design is still a part of the historical trajectory of the visual design discipline.
With each movement or medium, the discipline has introduced new graphic languages, layouts, and design processes. Between generations, the designer has straddled the transition from press to xerox, or paper to pixel. Across these generations, graphic design has carried out the responsibility of representing the visual language of each era respectively.
Therefore, as UI Design makes the transition out of its infancy, what sort of graphic world can we expect to develop? Unfortunately, based on the current trajectory, the future may look bleak. Much of UI Design today has become standardized and repeatable. Design discussions online involve learning the rules to get designs to safely work, rather than push the envelope, or imagine new things. The tendency for UI Designers to resort to patterns and trends has not only created a bland visual environment, but also diminished the value of the designer as processes become more and more formulaic. The issue is precisely not one of technicalities, but of impending visual boredom.
Thus, the Top Five Common UI Design mistakes are:
  • Following Design Rules
  • Abusing the Grid
  • Misunderstanding Typefaces
  • Patterns and the Standardization of UI Design
  • Finding Safety in Contrast
UI Design Rule Book
Understand principles and be creative within their properties. Following the rules will only take your where others have been.

Common Mistake #1: UI Designers Follow the Rules

The world of graphic design has always followed sets of rules and standards. Quite often in any design discipline, the common mistakes that are made can closely coincide with a standard rule that has been broken. Thus, from this perspective the design rules seem to be pretty trustworthy to follow.
However, in just about any design discipline, new design movements and creative innovation has generally resulted from consciously breaking said rule book. This is possible because design is really conditional, and requires the discretion of the designer, rather than a process with any sort of finite answers. Therefore, the design rules should likely be considered as guidelines more so rather than hard and fast rules. The experienced designer knows and respects the rule book just enough to be able break the box.
Unfortunately, the way that design is often discussed online is within sets of do’s and don’ts. Top mistakes and practices for design in 10 easy steps! Design isn’t so straightforward, and requires a much more robust understanding of principles and tendencies, rather than checklists to systematically carry out.
The concern is that if designers were to cease ‘breaking the rules’, then nothing new creatively would ever be made. If UI designers only develop their ability to follow guidelines, rather than make their own decisions, then they may quickly become irrelevant. How else will we argue a value greater than off the shelf templates?

Be Wary of Top Ten Design Rules

The issue with design rules in today’s UI design community is they are so abundant. In the interest of solving any problem, the designer can look to the existing UI community and their set of solutions, rather than solve an issue on their own. However, the abundance of these guides and rules have made themselves less credible.
A google search for “Top UI Design Mistakes” yields a half million search results. So, what are the chances that most, if any of these authors of various articles agree with one another? Or, will each design tip that is discussed coincide accurately with the design problems of a reader?
Often the educational articles online discuss acute problems, rather than the guiding design principles behind the issue. The result is that new designers will never learn why design works the way that it does. Instead, they only become able to copy what has come before. Isn’t it concerning that in none of these sorts of articles is something like play encouraged?
The designer should have a tool kit of principles to guide them, rather than a book of rules to follow predetermined designs. Press x for parallax scrolling and y for carousels. Before choosing, refer to most recent blog post on which navigational tool is trending. Boring!
Trends are like junk food for designers. Following trends produces cheap designs that may offer some initial pay back, but little worth in the long run. This means that not only may trendy designers become dated, or ineffective quickly. But, for you the designer, don’t expect to experience any sense of reward when designing in this way. Although working to invent your own styles and systems is a lot of work, it’s so worth it day in and day out. There’s just something about copying that never seems to feed the soul.

Common Mistake #2: Allowing the Grid to Restrict UI Design

Despite my treatise against rules - here’s a rule: there is no way for a UI Designer to design without a grid. The web or mobile interface is fundamentally based on a pixel by pixel organization - there’s no way around it. However, this does not necessarily mean that the interface has to restrict designers to gridded appearances, or even gridded processes.

Using the Grid as a Trendy Tool

Generally, making any design moves as a response to trends can easily lead to poor design. Perhaps what results is a satisfactory, mostly functional product. But it will almost certainly be boring or uninteresting. To be trendy is to be commonplace. Therefore, when employing the grid in a design, understand what the grid has to offer as a tool, and what it might convey. Grids generally represent neutrality, as everything within the restraints of a grid appear equal. Grids also allow for a neutral navigational experience. Users can jump from item to item without any interference from the designer’s curatorial hand. Whereas, with other navigational structures, the designer may be able to group content, or establish desired sequences.
UI Design Rule Book
Although a useful tool, the grid can be very limiting to designers.

Defaulting to the Grid as a Work Flow

Dylan Fracareta, faculty of RISD and director of PIN-UP Magazine, points out that “most people start off with a 12 - column grid…because you can get 3 and 4 off of that”. The danger here is that immediately the designer predetermines anything that they might come up with. Alternatively, Fracareta resides to only using the move tool with set quantities, rather than physically placing things against a grid line. Although this establishes order, it opens up more potential for unexpected outcomes. Although designing for the browser used to mean that we would input some code, wait, and see what happens. Now, web design has returned to a more traditional form of layout designer that’s “more like adjusting two sheets of transparent paper”. How can we as designers benefit from this process? Working Without a Grid Although grids can be restricting, they are one of our most traditional forms of organization. The grid is intuitive. The grid is neutral and unassuming. Therefore, grids allow content to speak for itself, and for users to navigate at their will and with ease. Despite my warnings towards the restrictiveness of grids, different arrays allow for different levels of guidance or freedom.

Common Mistake #3:The Standardization of UI Design with Patterns

The concept of standardized design elements predates UI design. Architectural details have been frequently repeated in practice for typical conditions for centuries. Generally this practice makes sense for certain parts of a building that are rarely perceived by a user. However, once architects began to standardize common elements like furniture dimensions, or handrails heights, people eventually expressed disinterest in the boring, beige physical environment that resulted. Not only this, but standardized dimensions were proven to be ineffective, as although generated as an average, they didn’t really apply to the majority of the population. Thus, although repeatable detail have their place, they should be used critically.
If we as designers choose to automate, what value are we providing?
If we as designers choose to automate, what value are we providing?

Designers Using the Pattern as Product

Many UI designers don’t view the pattern as a time saving tool, but rather an off the shelf solution to design problems. Patterns are intended to take recurring tasks or artefacts and standardize them in order to make the designer’s job easier. Instead, certain patterns like F Pattern Layouts, Carousels or Pagination have become the entire structure of many of our interfaces.

Justification for the Pattern is Skewed

Designers tell themselves that the F shaped pattern exists as a result of the way that people read on the web. Espen Brunborg points out that perhaps people read this way as a result of us designing for that pattern. “What’s the point of having web designers if all they do is follow the recipe,” Brunborg asks.

Common Mistake #4: Misunderstanding Typefaces

Many designer’s quick tips suggest hard and fast rules about fonts as well. Each rule is shouted religiously, “One font family only! Monospaced fonts are dead! Avoid thin fonts at all costs!”. But really, the only legitimate rules on type, text and fonts should be to enforce legibility, and convey meaning. As long as type is legible, there may very well be an appropriate opportunity for all sorts of typefaces. The UI Designer must take on the responsibility of knowing the history, uses, and designed intentions for each font that they implement in a UI.

Consider a Typeface Only for Legibility

Typefaces convey meaning as well as affect legibility. With all of the discussion surrounding rules for proper legibility on devices etc, designers are forgetting that type is designed to augment a body of text with a sensibility, as much as it is meant to be legible. Legibility is critical, I do not dispute this - but my point is that legibility really should be an obvious goal. Otherwise, why wouldn’t we have just stopped at Helvetica, or maybe Highway Gothic. However, the important thing to remember is that fonts are not just designed for different contexts of legibility. Typefaces are also essential for conveying meaning or giving a body of text a mood.
Typefaces are each designed for their own uses. Don't allow narrow minded rules to restrict an exploration of the world of type.

Avoiding Thin Fonts At All Costs

Now that the trend has come (and almost gone?), a common design criticism is to avoid thin fonts entirely. In the same way thin fonts came as a trend, they may leave as one also. However, the hope should be to understand the principles of the typefaces rather than follow trends at all.
Some say that they’re impossible to read or untrustworthy between devices. All legitimate points. Yet, this represents a condition in the current discussion of UI design. The font choice is only understood by designers as technical choice in regards to legibility, rather than also understanding the meaning and value of typefaces. The concern is that if legibility is the only concern that a designer carried, would thin fonts be done away with entirely?
Understand why you are using a thin font, and within what contexts. Bold, thick text is actually much more difficult to read at length than thinner fonts. Yet, as bold fonts carry more visual weight they’re more appropriate for headings, or content with little text. As thin fonts are often serifs, its suitability for body text is entirely objective. As serif characters flow together when read in rapid succession, they make for much more comfortable long reading.
As well, thin fonts are often chosen because they convey elegance. So, if a designer was working on an interface for a client whose mandate was to convey elegance, they might find themselves hard pressed to find a heavy typeface to do the job.

Not Enough Variation

A common mistake is to not provide enough variation between fonts in an interface. Changing fonts is a good navigational tool to establish visual hierarchy, or potentially different functions within an interface. A crash course on hierarchy will teach you that generally the largest items, or boldest fonts, should be the most important, and carry the most visual weight. Visual importance can convey content headings, or perhaps frequently used functions.

Too Much Variation

A common UI Design mistake is to load in several different typefaces from different families that each denote a unique function. The issue with making every font choice special, when there is many fonts, is that no font stands out. Changing fonts is a good navigational tool to establish visual hierarchy, or potentially different functions within an interface. Therefore, if every font is different, there is too much confusion for a user to recognize any order.

Common Mistake #5: Under/Over Estimating the Potential of Contrast

A common mistake that appears on many Top UI Design Mistake lists is that designers should avoid low contrast interfaces. There are many instances in which low contrast designs are illegible and ineffective - true. However, as with the previous points, my worry is that this use of language alternatively produces a high contrast design culture in response.

Defaulting to High Contrast

The issue is that high contrast is aesthetically easy to achieve. High contrast visuals are undeniably stimulating or exciting. However, there are many more moods in the human imagination to convey or communicate with, other than high stimulation. To be visually stimulating may also be visually safe.
The same issue is actually occurring in sci-fi film. The entire industry has resorted to black and neon blue visuals as a way to trick viewers into accepting ‘exciting’ visuals, instead of new, creative, or beautiful visuals. This article points out what the sci-fi industry is missing out on by producing safe visuals.
Functionally, if every element in an interface is in high contrast to another, then nothing stands out. This defeats the potential value of contrast as a hierarchical tool. Considering different design moves as tools, rather than rules to follow is essential in avoiding stagnant, trendy design.

Illegibly Low Contrast

The use of low contrast fonts and backgrounds is a commonly made mistake. However, rather than being a design issue. This could potentially be discussed as a beta testing mistake, rather than a design mistake.
How the design element relates as a low contrast piece to the rest of the interface is a design concern. The issue could be that the most significant item hierarchically is low in contrast to the rest of the interface. For the interface to communicate its organizational structure, the elements should contrast one another in a certain way. This is a design discussion. Whether or not it is legible is arguably a testing mistake.
The point is that in only discussing contrast as a technical issue resolvable by adjusting a value, designers miss out on the critical understanding of what contrast is principally used for.

Conclusion

As with the previous 4 mistakes, the abuse of patterns will rarely result in a dysfunctional website, but rather just a boring one. The mistake is in being safe. This overly cautious method of design may not cause the individual project to fail. However, this series of safe mistakes performed by the greater web community can mean greater failures beyond the individual UI design project. The role of the designer should be to imagine, thoughtfully experiment and create - not to responsibly follow rules and guidelines.
The original article is found on the Toptal Design Blog.

Monday, April 18, 2016

Top Ten Front-End Design Rules For Developers - Kapil Sharma

As front-end developers, our job is, essentially, to turn designs into reality via code. Understanding, and being competent in, design is an important component of that. Unfortunately, truly understanding front-end design is easier said than done. Coding and aesthetic design require some pretty different skill sets. Because of that, some front-end developers aren’t as proficient in the design aspect as they should be, and as a result, their work suffers.
My goal is to give you some easy-to-follow rules and concepts, from one front-end dev. to another, that will help you go from start to finish of a project without messing up what your designers worked so hard on (or possibly even allowing you to design your own projects with decent results).
Of course, these rules won’t take you from bad to magnificent in the time it takes to read one article, but if you apply them to your work, they should make a big difference.

Do Stuff In A Graphics Program

It’s truly rare that you complete a project, and go from start to finish while maintaining every single aesthetic mutation in the design files. And, unfortunately, designers aren’t always around to run to for a quick fix.
Therefore, there always comes a point in any front-end job where you end up having to make some aesthetic-related tweaks. Whether it’s making the checkmark that shows when you check the checkbox, or making a page layout that the PSD missed, front-enders often end up handling these seemingly minor tasks. Naturally, in a perfect world this wouldn’t be the case, but I have yet to find a perfect world, hence we need to be flexible.
A good front-end developer has to use professional graphics tools. Accept no substitute.
A good front-end developer has to use professional graphics tools. Accept no substitute.
For these situations, you should always use a graphics program for mockups. I don’t care which tool you choose: Photoshop, Illustrator, Fireworks, GIMP, whatever. Just don’t just attempt to design from your code. Spend a minute launching a real graphics program and figuring out how it should look, then go to the code and make it happen. You may not be an expert designer, but you’ll still end up with better results.

Match the Design, Don’t Try To Beat It

Your job is not to impress with how unique your checkmark is; your job is to match it to the rest of the design.
Those without a lot of design experience can easily be tempted to leave their mark on the project with seemingly minor details. Please leave that to the designers.
Developers have to match the original front-end design as closely as possible.
Developers have to match the original front-end design as closely as possible.
Instead of asking “Does my checkmark look amazing?” you should be asking, “How well does my checkmark match the design?”
Your focus should always be on working with the design, not on trying to outdo it.

Typography Makes All the Difference

You’d be surprised to know how much of the end look of a design is influenced by typography. You’d be just as surprised to learn how much time designers spend on it. This is not a “pick-it-and-go” endeavor, some serious time and effort goes into it.
If you end up in a situation where you actually have to choose typography, you should spend a decent amount of time doing so. Go online and research good font pairings. Spend a few hours trying those pairings and making sure you end up with the best typography for the project.
Is this font right for your project? When in doubt, consult a designer.
Is this font right for your project? When in doubt, consult a designer.
If you’re working with a design, then make sure you follow the designer’s typography choices. This doesn’t just mean choosing the font, either. Pay attention to the line spacing, letter spacing, and so on. Don’t overlook how important it is to match the typography of the design.
Also, make sure you use the right fonts in the correct spot. If the designer uses Georgia for headers only and Open Sans for body, then you shouldn’t be using Georgia for body and Open Sans for headers. Typography can make or break aesthetics easily. Spend enough time making sure you are matching your designer’s typography. It will be time well spent.

Front-end Design Doesn’t Tolerate Tunnel Vision

You’ll probably be making small parts of the overall design.
Tunnel vision is a common pitfall for front-end developers. Don’t focus on a single detail, always look at the big picture.
Tunnel vision is a common pitfall for front-end developers. Don’t focus on a single detail, always look at the big picture.
An example I’ve been going with is making the checkmark for a design that includes custom checkboxes, without showing them checked. It’s important to remember that the parts you are making are small parts of an overall design. Make your checks as important as a checkmark on a page should look, no more, no less. Don’t get tunnel vision about your one little part and make it something it shouldn’t be.
In fact, a good technique for doing this is to take a screenshot of the program so far, or of the design files, and design within it, in the context in which it will be used. That way, you really see how it affects other design elements on the page, and whether it fits its role properly.

Relationships And Hierarchy

Pay special attention to how the design works with hierarchy. How close are the titles to the body of text? How far are they from the text above them? How does the designer seem to be indicating which elements/titles/text bodies are related and which aren’t? They’ll commonly do these things by boxing related content together, using varying white space to indicate relationships, using similar or contrasting colors to indicate related/unrelated content, and so on.
A good front-end developer will respect design relationships and hierarchy. A great developer will understand them.
A good front-end developer will respect design relationships and hierarchy. A great developer will understand them.
It’s your job to make sure that you recognize the ways in which the design accomplishes relationships and hierarchy and to make sure those concepts are reflected in the end product (including for content that was not specifically designed, and/or dynamic content). This is another area (like typography) where it pays to take extra time to make sure you’re doing a good job.

Be Picky About Whitespace And Alignment

This is a great tip for improving your designs and/or better implementing the designs of others: If the design seems to be using spacings of 20 units, 40 units, etc., then make sure every spacing is a multiple of 20 units.
This is a really drop-dead simple way for someone with no eye for aesthetics to make a significant improvement quickly. Make sure your elements are aligned down to the pixel, and that the spacing around every edge of every element is as uniform as possible. Where you can’t do that (such as places where you need extra space to indicate hierarchy), make them exact multiples of the spacing you’re using elsewhere, for example two times your default to create some separation, three times to create more, and so on.
Do your best to understand how the designer used whitespace and follow those concepts in your front-end build.
Do your best to understand how the designer used whitespace and follow those concepts in your front-end build.
A lot of devs achieve this for specific content in the design files, but when it comes to adding/editing content, or implementing dynamic content, the spacing can go all over the place because they didn’t truly understand what they were implementing.
Do your best to understand how the designer used whitespace and follow those concepts in your build. And yes, spend time on this. Once you think your work is done, go back and measure the spacing to ensure you have aligned and uniformly spaced everything as much as possible, then try out the code with lots of varying content to make sure it’s flexible.

If You Don’t Know What You’re Doing, Do Less

I’m not one of those people that thinks every project should use minimalist design, but if you’re not confident in your design chops and you need to add something, then less is more.
Less is more. If your designer did a good job to begin with, you should refrain from injecting your own design ideas.
Less is more. If your designer did a good job to begin with, you should refrain from injecting your own design ideas.
The designer took care of the main stuff; you only need to do minor fillers. If you’re not very good at design, then a good bet is to do as minimal amount as you can to make that element work. That way, you’re injecting less of your own design into the designer’s work, and affecting it as little as possible.
Let the designer’s work take center stage and let your work take the back seat.

Time Makes Fools Of Us All

I’ll tell you a secret about designers: 90 percent (or more) of what they actually put down on paper, or a Photoshop canvas, isn’t that great.
They discard far more than you ever see. It often takes many revisions and fiddling with a design to get it to the point where they’d even let the guy in the next cubicle see their work, never mind the actual client. You usually don’t go from a blank canvas to good design in one step; there’s a bunch iterations in between. People rarely make good work until they understand that and allow for it in their process.
If you think the design can be improved upon, consult your designer. It’s possible they already tried a similar approach and decided against it.
If you think the design can be improved upon, consult your designer. It’s possible they already tried a similar approach and decided against it.
So how do you implement this? One important method is taking time between versions. Work until it looks like something you like then put it away. Give it a few hours (leaving it overnight is even better), then open it up again and take a look. You’ll be amazed at how different it looks with fresh eyes. You’ll quickly pick out areas for improvement. They’ll be so clear you’ll wonder how you possibly missed them in the first place.
In fact, one of the better designers I’ve known takes this idea a lot further. He would start by making three different designs. Then, he’d wait at least 24 hours, look at them again and throw them all out and start from scratch on a fourth. Next, he’d allow a day between each iteration as it got better and better. Only when he opened it up one morning, and was totally happy, or at least, as close as a designer ever gets to totally happy, would he send it to the client. This was the process he used for every design he made, and it served him very well.
I don’t expect you to take it that far, but it does highlight how helpful time without “eyes on the design” can be. It’s an integral part of the design process and can make improvements in leaps and bounds.

Pixels Matter

You should do everything in your power to match the original design in your finished program, down to the last pixel.
Front-end developers should try to match the original design down to the last pixel.
Front-end developers should try to match the original design down to the last pixel.
In some areas you can’t be perfect. For example, your control over letter-spacing might not be quite as precise as that of the designer’s, and a CSS shadow might not exactly match a Photoshop one, but you should still attempt to get as close as possible. For many aspects of the design, you really can get pixel-perfect precision. Doing so can make a big difference in the end result. A pixel off here and there doesn’t seem like much, but it adds up and affects the overall aesthetic much more than you’d think. So keep an eye on it.
There are a number of [tools] that help you compare original designs to end results, or you can just take screenshots and paste them into the design file to compare each element as closely as possible. Just lay the screenshot over the design and make it semi-transparent so that you can see the differences. Then you know how much adjustment you have to make to get it spot on.

Get Feedback

It’s hard to gain an “eye for design.” It’s even harder to do it on your own. You should seek the input of othersto really see how you can make improvements.
I am not suggesting you grab your neighbor and ask for advice, I mean you should consult real designers and let them critique your work and offer suggestions.
Let designers critique your work. Put their criticism to good use and don’t antagonize them.
Let designers critique your work. Put their criticism to good use and don’t antagonize them.
It takes some bravery to do so, but in the end it is one of the most powerful things you can do to improve the project in the short-term, and to improve your skill level in the long run.
Even if all you have to fine tune is a simple checkmark, there are plenty of people willing to help you. Whether it’s a designer friend, or an online forum, seek out qualified people and get their feedback.
Build a long-lasting, productive relationship with your designers. It’s vital for useful feedback, quality, and execution.
Build a long-lasting, productive relationship with your designers. It’s vital for useful feedback, quality, and execution.
It may sound time consuming, and may cause friction between you and your designers, but in the big scheme of things, it’s worth it. Good front-end developers rely on valuable input from designers, even when it’s not something they like to hear.
Therefore, it’s vital to build and maintain a constructive relationship with your designers. You’re all in the same boat, so to get the best possible results you have to collaborate and communicate every step of the way. The investment in building bonds with your designers is well worth it, as it will help everyone do a better job and execute everything on time.

Conclusion

To summarize, here is a short list of design tips for front-end developers:
  • Design in a graphics program. Don’t design from code, not even the small stuff.
  • Match the design. Be conscious of the original design and don’t try to improve it, just match it.
  • Typography is huge. The time you spend making sure it’s right should reflect its importance.
  • Avoid tunnel vision. Make sure your additions stand out only as much as they should. They’re not more important just because you designed them.
  • Relationships and hierarchy: Understand how they work in the design so that you can implement them properly.
  • Whitespace and alignment are important. Make them accurate to the pixel and make them evenly throughout anything you add.
  • If you’re not confident in your skills, then make your additions as minimally styled as you can.
  • Take time between revisions. Come back later to see your design work with fresh eyes.
  • Pixel-perfect implementation is important wherever possible.
  • Be brave. Seek out experienced designers to critique your work.
Not every front-end developer is going to be a fantastic designer, but every front-end dev. should at least be competent in terms of design.
You need to understand enough about design concepts to identify what’s going on, and to properly apply the design to your end product. Sometimes, you can get away with blind copying if you’ve got a thorough designer (and if you’re detail oriented enough to truly copy it pixel for pixel).
However, in order to make large projects shine across many variations of content, you need some understanding of what’s going through the designer’s head. You don’t merely need to see what the design looks like, you need to know why it looks the way it does, and that way you can be mindful of technical and aesthetic limitations that will affect your job.
So, even as a front-end developer, part of your regular self-improvement should always include learning more about design.
The original article was written by BRYAN GREZESZAK - FREELANCE SOFTWARE ENGINEER @ TOPTAL and can be read here.

Tuesday, April 12, 2016

Clean Code and The Art of Exception Handling - Kapil Sharma

Exceptions are as old as programming itself. Back in the days when programming was done in hardware, or via low-level programming languages, exceptions were used to alter the flow of the program, and to avoid hardware failures. Today, Wikipedia defines exceptions as:
anomalous or exceptional conditions requiring special processing – often changing the normal flow of program execution…
And that handling them requires:
specialized programming language constructs or computer hardware mechanisms.
So, exceptions require special treatment, and an unhandled exception may cause unexpected behavior. The results are often spectacular. In 1996, the famous Ariane 5 rocket launch failure was attributed to an unhandled overflow exception. History’s Worst Software Bugs contains some other bugs that could be attributed to unhandled or miss-handled exceptions.
Over time, these errors, and countless others (that were, perhaps, not as dramatic, but still catastrophic for those involved) contributed to the impression that exceptions are bad.
The results of improperly handling exceptions have led us to believe that exceptions are always bad.
But exceptions are a fundamental element of modern programming; they exist to make our software better. Rather than fearing exceptions, we should embrace them and learn how to benefit from them. In this article, we will discuss how to manage exceptions elegantly, and use them to write clean code that is more maintainable.

Exception Handling: It’s a Good Thing

With the rise of object-oriented programming (OOP), exception support has become a crucial element of modern programming languages. A robust exception handling system is built into most languages, nowadays. For example, Ruby provides for the following typical pattern:
begin
  do_something_that_might_not_work!
rescue SpecificError => e
  do_some_specific_error_clean_up
  retry if some_condition_met?
ensure
  this_will_always_be_executed
end
There is nothing wrong with the previous code. But overusing these patterns will cause code smells, and won’t necessarily be beneficial. Likewise, misusing them can actually do a lot of harm to your code base, making it brittle, or obfuscating the cause of errors.
The stigma surrounding exceptions often makes programmers feel at a loss. It’s a fact of life that exceptions can’t be avoided, but we are often taught they must be dealt with swiftly and decisively. As we will see, this is not necessarily true. Rather, we should learn the art of handling exceptions gracefully, making them harmonious with the rest of our code.
Following are some recommended practices that will help you embrace exceptions and make use of them and their abilities to keep your code maintainableextensible, and readable:
  • maintainability: Allows us to easily find and fix new bugs, without the fear of breaking current functionality, introducing further bugs, or having to abandon the code altogether due to increased complexity over time.
  • extensibility: Allows us to easily add to our code base, implementing new or changed requirements without breaking existing functionality. Extensibility provides flexibility, and enables a high level of reusability for our code base.
  • readability: Allows us to easily read the code and discover it’s purpose without spending too much time digging. This is critical for efficiently discovering bugs and untested code.
These elements are the main factors of what we might call cleanliness or quality, which is not a direct measure itself, but instead is the combined effect of the previous points, as demonstrated in this comic:
"WTFs/m" by Thom Holwerda, OSNews
With that said, let’s dive into these practices and see how each of them affects those three measures.
Note: We will present examples from Ruby, but all of the constructs demonstrated here have equivalents in the most common OOP languages.

Always create your own ApplicationError hierarchy

Most languages come with a variety of exception classes, organized in an inheritance hierarchy, like any other OOP class. To preserve the readability, maintainability, and extensibility of our code, it’s a good idea to create our own subtree of application-specific exceptions that extend the base exception class. Investing some time in logically structuring this hierarchy can be extremely beneficial. For example:
class ApplicationError < StandardError; end

# Validation Errors
class ValidationError < ApplicationError; end
class RequiredFieldError < ValidationError; end
class UniqueFieldError < ValidationError; end

# HTTP 4XX Response Errors
class ResponseError < ApplicationError; end
class BadRequestError < ResponseError; end
class UnauthorizedError < ResponseError; end
# ...
Example of an application exception hierarchy.
Having an extensible, comprehensive exceptions package for our application makes handling these application-specific situations much easier. For example, we can decide which exceptions to handle in a more natural way. This not only boosts the readability of our code, but also increases the maintainability of our applications and libraries (gems).
From the readability perspective, it’s much easier to read:
rescue ValidationError => e
Than to read:
rescue RequiredFieldError, UniqueFieldError, ... => e
From the maintainability perspective, say, for example, we are implementing a JSON API, and we have defined our own ClientError with several subtypes, to be used when a client sends a bad request. If any one of these is raised, the application should render the JSON representation of the error in its response. It will be easier to fix, or add logic, to a single block that handles ClientErrors rather than looping over each possible client error and implementing the same handler code for each. In terms of extensibility, if we later have to implement another type of client error, we can trust it will already be handled properly here.
Moreover, this does not prevent us from implementing additional special handling for specific client errors earlier in the call stack, or altering the same exception object along the way:
# app/controller/pseudo_controller.rb
def authenticate_user!
  fail AuthenticationError if token_invalid? || token_expired?
  User.find_by(authentication_token: token)
rescue AuthenticationError => e
  report_suspicious_activity if token_invalid?
  raise e
end

def show
  authenticate_user!
  show_private_stuff!(params[:id])
rescue ClientError => e
  render_error(e)
end
As you can see, raising this specific exception didn’t prevent us from being able to handle it on different levels, altering it, re-raising it, and allowing the parent class handler to resolve it.
Two things to note here:
  • Not all languages support raising exceptions from within an exception handler.
  • In most languages, raising a new exception from within a handler will cause the original exception to be lost forever, so it’s better to re-raise the same exception object (as in the above example) to avoid losing track of the original cause of the error. (Unless you are doing this intentionally).

Never rescue Exception

That is, never try to implement a catch-all handler for the base exception type. Rescuing or catching all exceptions wholesale is never a good idea in any language, whether it’s globally on a base application level, or in a small buried method used only once. We don’t want to rescue Exception because it will obfuscate whatever really happened, damaging both maintainability and extensibility. We can waste a huge amount of time debugging what the actual problem is, when it could be as simple as a syntax error:
# main.rb
def bad_example
  i_might_raise_exception!
rescue Exception
  nah_i_will_always_be_here_for_you
end

# elsewhere.rb
def i_might_raise_exception!
  retrun do_a_lot_of_work!
end
You might have noticed the error in the previous example; return is mistyped. Although modern editors provide some protection against this specific type of syntax error, this example illustrates how rescue Exception does harm to our code. At no point is the actual type of the exception (in this case a NoMethodError) addressed, nor is it ever exposed to the developer, which may cause us to waste a lot of time running in circles.

Never rescue more exceptions than you need to

The previous point is a specific case of this rule: We should always be careful not to over-generalize our exception handlers. The reasons are the same; whenever we rescue more exceptions than we should, we end up hiding parts of the application logic from higher levels of the application, not to mention suppressing the developer’s ability to handle the exception his or herself. This severely affects the extensibility and maintainability of the code.
If we do attempt to handle different exception subtypes in the same handler, we introduce fat code blocks that have too many responsibilities. For example, if we are building a library that consumes a remote API, handling a MethodNotAllowedError (HTTP 405), is usually different from handling an UnauthorizedError (HTTP 401), even though they are both ResponseErrors.
As we will see, often there exists a different part of the application that would be better suited to handle specific exceptions in a more DRY way.
So, define the single responsibility of your class or method, and handle the bare minimum of exceptions that satisfy this responsibility requirement. For example, if a method is responsible for getting stock info from a remote a API, then it should handle exceptions that arise from getting that info only, and leave the handling of the other errors to a different method designed specifically for these responsibilities:
def get_info
  begin
    response = HTTP.get(STOCKS_URL + "#{@symbol}/info")

    fail AuthenticationError if response.code == 401
    fail StockNotFoundError, @symbol if response.code == 404
    return JSON.parse response.body
  rescue JSON::ParserError
    retry
  end
end
Here we defined the contract for this method to only get us the info about the stock. It handles endpoint-specific errors, such as an incomplete or malformed JSON response. It doesn’t handle the case when authentication fails or expires, or if the stock doesn’t exist. These are someone else’s responsibility, and are explicitly passed up the call stack where there should be a better place to handle these errors in a DRY way.

Resist the urge to handle exceptions immediately

This is the complement to the last point. An exception can be handled at any point in the call stack, and any point in the class hierarchy, so knowing exactly where to handle it can be mystifying. To solve this conundrum, many developers opt to handle any exception as soon as it arises, but investing time in thinking this through will usually result in finding a more appropriate place to handle specific exceptions.
One common pattern that we see in Rails applications (especially those that expose JSON-only APIs) is the following controller method:
# app/controllers/client_controller.rb

def create
  @client = Client.new(params[:client])
  if @client.save
    render json: @client
  else
    render json: @client.errors
  end
end
(Note that although this is not technically an exception handler, functionally, it serves the same purpose, since @client.save only returns false when it encounters an exception.)
In this case, however, repeating the same error handler in every controller action is the opposite of DRY, and damages maintainability and extensibility. Instead, we can make use of the special nature of exception propagation, and handle them only once, in the parent controller classApplicationController:
# app/controllers/client_controller.rb

def create
  @client = Client.create!(params[:client])
  render json: @client
end
# app/controller/application_controller.rb

rescue_from ActiveRecord::RecordInvalid, with: :render_unprocessable_entity

def render_unprocessable_entity(e)
  render \
    json: { errors: e.record.errors },
    status: 422
end
This way, we can ensure that all of the ActiveRecord::RecordInvalid errors are properly and DRY-ly handled in one place, on the base ApplicationController level. This gives us the freedom to fiddle with them if we want to handle specific cases at the lower level, or simply let them propagate gracefully.

Not all exceptions need handling

When developing a gem or a library, many developers will try to encapsulate the functionality and not allow any exception to propagate out of the library. But sometimes, it’s not obvious how to handle an exception until the specific application is implemented.
Let’s take ActiveRecord as an example of the ideal solution. The library provides developers with two approaches for completeness. The save method handles exceptions without propagating them, simply returning false, while save! raises an exception when it fails. This gives developers the option of handling specific error cases differently, or simply handling any failure in a general way.
But what if you don’t have the time or resources to provide such a complete implementation? In that case, if there is any uncertainty, it is best to expose the exception, and release it into the wild.
Sometimes the best way to handle an exception is to let it fly free.
Here’s why: We are working with moving requirements almost all the time, and making the decision that an exception will always be handled in a specific way might actually harm our implementation, damaging extensibility and maintainability, and potentially adding huge technical debt, especially when developing libraries.
Take the earlier example of a stock API consumer fetching stock prices. We chose to handle the incomplete and malformed response on the spot, and we chose to retry the same request again until we got a valid response. But later, the requirements might change, such that we must fall back to saved historical stock data, instead of retrying the request.
At this point, we will be forced to change the library itself, updating how this exception is handled, because the dependent projects won’t handle this exception. (How could they? It was never exposed to them before.) We will also have to inform the owners of projects that rely on our library. This might become a nightmare if there are many such projects, since they are likely to have been built on the assumption that this error will be handled in a specific way.
Now, we can see where we are heading with dependencies management. The outlook is not good. This situation happens quite often, and more often than not, it degrades the library’s usefulness, extensibility, and flexibility.
So here is the bottom line: if it is unclear how an exception should be handled, let it propagate gracefully. There are many cases where a clear place exists to handle the exception internally, but there are many other cases where exposing the exception is better. So before you opt into handling the exception, just give it a second thought. A good rule of thumb is to only insist on handling exceptions when you are interacting directly with the end-user.

Follow the convention

The implementation of Ruby, and, even more so, Rails, follows some naming conventions, such as distinguishing between method_names and method_names! with a “bang.” In Ruby, the bang indicates that the method will alter the object that invoked it, and in Rails, it means that the method will raise an exception if it fails to execute the expected behavior. Try to respect the same convention, especially if you are going to open-source your library.
If we were to write a new method! with a bang in a Rails application, we must take these conventions into account. There is nothing forcing us to raise an exception when this method fails, but by deviating from the convention, this method may mislead programmers into believing they will be given the chance to handle exceptions themselves, when, in fact, they will not.
Another Ruby convention, attributed to Jim Weirich, is to use fail to indicate method failure, and only to use raise if you are re-raising the exception.
“An aside, because I use exceptions to indicate failures, I almost always use the “fail” keyword rather than the “raise” keyword in Ruby. Fail and raise are synonyms so there is no difference except that “fail” more clearly communicates that the method has failed. The only time I use “raise” is when I am catching an exception and re-raising it, because here I’m not failing, but explicitly and purposefully raising an exception. This is a stylistic issue I follow, but I doubt many other people do.”
Many other language communities have adopted conventions like these around how exceptions are treated, and ignoring these conventions will damage the readability and maintainability of our code.

Logger.log(everything)

This practice doesn’t solely apply to exceptions, of course, but if there’s one thing that should always be logged, it’s an exception.
Logging is extremely important (important enough for Ruby to ship a logger with its standard version). It’s the diary of our applications, and even more important than keeping a record of how our applications succeed, is logging how and when they fail.
There is no shortage of logging libraries or log-based services and design patterns. It’s critical to keep track of our exceptions so we can review what happened and investigate if something doesn’t look right. Proper log messages can point developers directly to the cause of a problem, saving them immeasurable time.

That Clean Code Confidence

Proper exception handling allows for clean code and successful software.
Clean exception handling will send your code quality to the moon!
Exceptions are a fundamental part of every programming language. They are special and extremely powerful, and we must leverage their power to elevate the quality of our code instead of exhausting ourselves fighting with them.
In this article, we dived into some good practices for structuring our exception trees and how it can be beneficial for readability and quality to logically structure them. We looked at different approaches for handling exceptions, either in one place or on multiple levels.
We saw that it’s bad to “catch ‘em all”, and that it’s ok to let them float around and bubble up.
We looked at where to handle exceptions in a DRY manner, and learned that we are not obligated to handle them when or where they first arise.
We discussed when exactly it is a good idea to handle them, when it’s a bad idea, and why, when in doubt, it’s a good idea to let them propagate.
Finally, we discussed other points that can help maximize the usefulness of exceptions, such as following conventions and logging everything.
With these basic guidelines, we can feel much more comfortable and confident dealing with error cases in our code, and making our exceptions truly exceptional!
Special thank to Avdi Grimm and his awesome talk Exceptional Ruby, which helped a lot in the making of this article.
The original article was written by  AHMED ABDELRAZZAK - FREELANCE SOFTWARE ENGINEER @ TOPTAL and can be read here.
If you'd like more resources to find, interview and hire freelance designers, check this out - https://www.toptal.com/designers/resources